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April 24, 2008
Matthew Broderick: From Boy to Man
The actor known for being young at heart talks about growing up in front of the cameras and why he teamed up with Helen Hunt again.
By Carla Hay, Lifetime
Matthew
Broderick has long since moved on from the mischievous-young-man roles
that were his trademark in the ’80s. But at 46, this versatile actor
(and husband of Sarah Jessica Parker) can still bring a boyish quality
to his roles. In the dramedy “Then She Found Me,” he plays an immature
husband named Ben, who leaves his wife, April (Helen Hunt), shortly
before April’s birth mother tries to reunite with her. “Then She Found
Me” is Hunt’s debut as a feature-film director, and she also served as
a writer and producer of the film. Broderick recently chatted with
myLifetime.com about making “Then She Found Me,” how he relives his
childhood through his son, and what he thinks about keeping in touch
with former costars.
How did you get into this character’s psyche, since he’s such an immature character? From
the script, mostly. And I can identify with him. And then you pick it
scene by scene — what’s happening when you put it all together and if
it makes sense. I don’t have a general way of approaching it, like,
“Now I’m going to put on my ‘unlikable’ hat.” I just do each scene and
see how it comes out.
How did you reconnect with Helen Hunt to do this movie? We did
“Project X” a long time ago together. The script [for “Then She Found
Me”] came through my agent … I was in Europe when I read it. I had to
call [Helen] from Ireland … I heard that she was directing and I was
delighted. It seems like a very natural fit for her. She’s very smart.
She’s been in film and TV since she was a child. And I think it’s hard
for people to find material they like. This is her way to make the next
step in her career. I was very happy to be part of it.
Did you read the book “Then She Found Me”? I didn’t read the
novel. I don’t know why. I never even thought of it. It depends. If I
were playing the lead in something, I would definitely want to know the
source. On the other hand, it has to work on its own terms. People
watching [the movie] I don’t think will have read the book, and even if
they have, it either works in this version or it doesn’t. But that
said, reading it might have helped me have some kind of deeper
understanding of [Helen Hunt’s] character.
Sometimes I’ll go back and read the book, but sometimes I’m so
incredibly bored with the story that if I go back and read the book
it’s like [sighs].
But with “Election,” I remember reading and loving the novel just as we
were starting to shoot [the movie]. Most of the time, I think it’s a
good idea to read the book. On the other hand, it’s a little bit
dangerous, because there might be scenes that you think are in the
movie but they aren’t, and then you unconsciously think that these
things have happened.
Since you have a young son, is there anything from your childhood that you’ve had fun introducing to him? The
books that I read are so old to him, but any book that I read to him
I’ve had great pleasure doing it. I’ve read the Beatrix Potter books …
and then there are other things. Like he has a video game [system]
named Wii, which I didn’t think I’d like as much as I do. I like
playing catch with him and teaching him about sports. He just got a
little scooter, which is pretty fun. I think part of the joy of having
children is that you get to revisit some of those [things from your
childhood]. He has a little pinball machine, but pinball just seems to
be dead.
Which of your previous roles do fans approach you on the street about the most? I
get approached about “Ferris Bueller.” I’m very happy that [the appeal]
lasted. It’s great. People approach me about “The Producers” a little
bit and various other things.
Do you stay in touch with any of your other former costars? The
first couple of jobs I had, I stayed in touch, which is common with
young actors. You feel like a family. As the years go by, you start to
lose touch with everybody. And also eventually you get more — not
bitter — but more reality-based, about how these are not our family.
Some people I stay in touch with, and it’s nice to stay in touch with
them. There’s a lot of people I’m very close to when I’m in a play, but
I’ll barely see [them] a year or two later. That’s just how it is.
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